Cover Photo of Maya Genre Written by Directed by Starring Venkat Country of origin India Original language(s) No. Of seasons 1 No.
Of episodes 100+ Production Production location(s) Camera setup Running time approx. 20-22 minutes per episode Production company(s) Release Original network Original release 22 October 2012 ( 2012-10-22) – 2013 ( 2013) This article contains. Without proper, you may see, misplaced vowels or missing conjuncts instead of Tamil script. Maya (: மாயா) is a that aired Monday through Friday on from 22 October 2012 to 2013 at 9:30PM. The show starred, and Venkat among others. It was producer by, writer by and director.
Not to be confused with. Maya மாயா Written by Sundar.C Kalasekaram Narasimman (Dialogues) Screenplay by Kalasekaram Narasimman Amajath Manimegalai Directed by Nandhas R.D.Narayanamoorthy Starring Ajay Shweta Akanksha Gandhi Music by C.
Sathya G.Kilamend Pa.Vijay (Lyrics) Country of origin Original language(s) Original Version Dubbed Dubbed Re-Shot version No. Of seasons 1 No. Of episodes 24 (04 August 2018) Production Executive producer(s) A.Anbu Raja Producer(s) Production location(s) Chennai Cinematography Gerold.A.Rajamannikam Banu Murugan Editor(s) N.B.Srikanth Production company(s) Avni Cinemax Release Original network Picture format Original release 9 July 2018 ( 2018-07-09) – present Chronology Preceded by Vinayagar Followed by N/A This article contains. Without proper, you may see, misplaced vowels or missing conjuncts instead of Tamil script. Maya also known as Mayaa (lit: Invincible) (: மாயா) is a 2018 multilingual that is currently premiered on 9 July 2018 on, and channels on different time slots. This show marks the second South Indian serial after to be aired in 4 South Indian languages (Tamil, Malayalam, Kannada and Telugu) by Sun Network channels allocated on different time periods.
It is claimed that the show is the second biggest budgeted series on South Indian television and the third overall mass budgeted TV series on Indian television after and. Ajay, Tanisha and Shweta play the main protagonists of the series while few popular Tamil film artists including, and have also been added to the cast in prominent roles. The series is directed by Nanda Kumar and produced by Tamil film director along with his wife, actress who are also currently working as the producers for the Nandini TV series. The show airs every Monday to Saturday at 7:00 pm on and Monday to Friday at 8:00 pm on, Monday to Saturday at 8:00 pm (IST) on and Monday to Friday at 7:30 pm on Udaya TV in Tamil, Telugu, Malayalam and Kannada respectively. Contents.
Plot The story begins with an eagle flying into a palace and leaving a message written on an 'Olai' which is then discovered by Bhadra who reads and correctly interprets the message that states the return of his guru known as Rana Maayan who is coming tonight to the palace after about 2000 years of being in meditation. Bhadra started to get worried about this. Bhadra's wife who noticed his worrisome attitude inquired him about the matter that is worrying him too much to which Bhadra tells what was written on the 'Olai' to his wife and states that his guru is an extremely angry person so he has to make the appropriate preparation before his guru arrives to the palace.
His wife who was a bit careless asked him what will his guru's anger do to her and Bhadra responds by telling her not to be careless and continues to tell that this is the 27th birth for his guru and he is more than 2000 years old. Rana Maayan is also Goddess Amman's son (a Demigod Tantra). He also states that his Guru was the one who was responsible in imprisoning an evil known as Kalanthakan while the reason of his guru's return is not yet revealed totally to the viewers but Bhadra his disciple speculated that his return means that something big and terrible is about to happen. The scene then shifts to Sun TV News Channel whereby a news reporter reports of a huge earthquake that had occurred at Himachal Pradesh with a magnitude of 8.2 and the disaster is felt all over India with a death toll of about 10000+ deaths near the epicenter of the earthquake incident. This news was noticed by a man in 'Kaavi' dress who then runs to his Guru a (Sivan Acharya)in Anandha Madam who then mentions while showing the recording of the incident in his phablet phone to him stating that the predictions made by his guru once again have came true. The Siva Acharya who was worried about this incident laments to Lord Sivan stating that He (Lord Sivan) who represents the Master of the Five Elements (Pancha Bootham) is just witnessing all this incidents quietly without taking the necessary actions while Kalanthakan who is silently manipulating all this incident is set to return to this world after 2000 years of imprisonment.
The Siva Acharya disciple ask his guru about what to do next whom responds back by asking about the arrival of the Minister to which the disciple mentions that the Minister is on his way back. The Siva Acharya who was uneasy with all of this natural disasters happening throughout India, requested his disciples to leave him alone for a few minutes while he decided to meditate.
The scene then shifts to the arrival of the Minister at the airport who arrives with his personal secretary. The Minister managed to swiftly answer back to the news reporters from further enquiry by mentioning that he and the government will be taking the necessary actions before it's too late.
While traveling in his vehicle the minister remembered the warnings of the Siva Acharya months back who told him to take the necessary actions and effort to avoid Kalanthakan (an evil spirit - possibly the manifestation of ) from making his disastrous return to this world after 2000 years of imprisonment by Rana Maayan. The scene once again shifts back to the traffic road focusing a small girl and her father in the car waiting for the traffic signal to turn green.
While waiting the small girl noticed a doll at a roadside stall calling out to her. The small girl leaves the car an proceeds to the stall while her father was busy attending the phone whom later on noticed his daughter at the stall. He proceeded to pick up his daughter who asked him for the ornated wooden box (within which contains an evil doll). The small girl's father bought the ornated wooden box before returning to the car.
It is then revealed that he was rushing to the hospital after picking up his daughter because his pregnant wife is admitted at the hospital about to give birth.Shortly after he arrived at the hospital. During this moment the nurse requested him to buy the necessary medicines at the counter and so he left his small daughter who was carrying the ornated wooden box with her near the ICU room telling her that he would be back shortly. The ornated box reverts it's form into a doll who then cast its evil powers through its eyes that enters into the room possessing the nurse who proceeds to kill the small girls mother by increasing the anesthesia dosage imposed into the pregnant women's body effectively killing her and her foetus. The minister known as Thangapandi has arrived at Anandha Madam to meet with the Siva Acharya whom asks his disciple Bhakti Saradhan to bring a Jothida Rasi Chakram (a chakra containing the 12 zodiac signs) together with 3 shells. The Siva Acharya puts the 3 shells on the chakram and the 3 shells accurately went to 3 different zodiac signs that's: Mithuna Rasi, Vrischika Rasi and Dhanusu Rasi. The Siva Acharya then mentions that the solution to all the problems that have currently occurred will come in the form of three different people: 2 girls and 1 boy.
He further mentions the zodiac signs of the 3 people that's a Mithuna Rasi girl, a Vrischika Rasi girl and a Dhanusu Rasi Boy. He later advises the Minister to take the effort to find these 3 different individuals before it's too late. The Minister's personal secretary says that this is going to be a very difficult and taxing thing to be done because there are many people born on that zodiac signs. The Minister asked the Siva Acharya for other ways of finding the three individuals to which the Siva Acharya says that according to 'Olai Chuvadi' there is only mention of the 3 individuals meeting at the same place tonight but the exact location is not mentioned. The worried Minister then said: How am I supposed to find them when this details are very ambiguous to which the Siva Acharya says that there is another info in the 'Olai Chuvadi' that is these 3 people will be meeting at a place where a comet/asteroid crashes.
The now relieved Minister Thangapandi says that this info is just enough for him to find the 3 individuals because of the advanced research and technology on space in India. Minister Thangapandi calls the Chief of ISRO Organization in India and tells him about the dire situation while telling him to update him if he noticed any comets/asteroids coming towards India. The Chief Scientist at ISRO orders his team to make sure this operation is kept as a secret as Minister Thangapandi have ordered so. The scene now shifts and focuses on an old woman with her assistant (Pasupathi) both of them have notice the cylindrical container with a chakra that she have kept for almost 2000 years starting to rotate. The old woman gets excited as this indicates that her son Kalanthakan has already awakened from his deep slumber for about 2000 years.
Immediately the old woman took the chakra and together with her assistant she set off to find the location of her son Kalanthakan. Once she located the exact location (which is in the palace) she said to her assistant that this is the exact place that appeared in her dream indicating that Kalanthakan must be inside the palace. When she entered into the palace she and her assistant was stopped by a security guard from entering. The old woman quickly hypnotized the security guard while brainwashing him into allowing both of them to enter the palace grounds. Once she had entered the cylindrical container levitate above the ground locating the exact place where Kalanthakan was buried (imprisoned). That chakra flashes a light above the ground before disappearing. After the chakra disappeared cracks appeared on the ground and a horrifying growling sound can be heard within.
The old woman claims that this is her sons voice and started to lament that after 2000 years she's hearing his voice once again. Kalanthakan says that he's very thirsty and ask his mother to feed his thirst. The old woman tells the same to her assistant asking him to donate his blood for her son to drink which the assistant agrees to do. During this moment the palace owner notices the old woman and her assistant in his palace veranda and ask her to leave the place to which the old woman says that she will not leave as she have came to the right place at the right time. She tells him to call his wife as he always asks his wife's opinion before taking any decisions to which he refused by telling that his wife is bed ridden paralyzed. She then cures his wife by making her to walk back normally and both of them agree to let her stay in their palace after this incident. After this the old woman tells her assistant to go and find the Icchapurani Rani Simharathna and Suryakundala Raja Vikraman and he obediently follows her order while seeking her blessings.
The scene now shifts back to the palace where Bhadra is staying and he comes across his wife who have injured her hand. After few times of failing to heal her condition, his guru Rana Maayan appears waiting at the door step to enter the palace and Bhadra goes to open the front door and welcome his guru into the palace. He requested his guru's help to cure his wife's hand and the guru cures it using his third eye power. Bhadra's guru Rana Maayan scolds Bhadra for not heeding to his words earlier that he should have completed his quest to become a complete Brahmachari but because he developed feelings for a woman he had failed his duty of becoming a Brahmachari and started to live the life of a common man. Bhadra then inquires about the exact special reason why his guru Rana Maayan have came for and Rana Maayan mentions that things that are going to happen from now onwards will be very special and great. Rana Maayan says that it has been 2000 years since he have came to this 'Malligai' which at one time was a very huge palace.
He told Bhadra that the history which happened 2000 years ago are about to repeat again. He brought Bhadra to a corridor window and showed him a mountain surrounded by a few hills and started to narrate the incidents of a war that happened 2000 years ago. Now Flashback Time, 2000 years ago, There was three kingdoms which is Icchapurani Dynasty, Satavagheeni Dynasty and Suryakundala Dynasty and this three dynasties was involved in a ferocious civil war and the war was known by the name of Kalavana War. Rana Maayan then introduces Bhadra (who cannot see the past vision about the war) to the Prince of Suryakundala Desam (Prince Vikraman), Princess of Icchapurani Desam (Princess Simharathna) and Queen of Satavagheeni Nadu (Lakshmi Prabhavathi) while praising their spectacular battle prowess. He then states that he is going to use the three of them (who are believed to have taken a birth once again after 2000 years) as his 'Pagadai Kai' (three dices) to bring an end to Kalanthakan. Bhadra who still cannot believe what his guru is telling him (as he cannot see the visions of the past) expresses his disbelief to which his guru Rana Maayan states that he will make him belief. He tells him (Bhadra) that a comet is set to fall nearby the place that he have showed earlier and exactly it happens to the surprise of Bhadra.
After witnessing that disaster, Bhadra questions Rana Maayan that is it a bad symbol for them to witness this disaster to which Rana Maayan will say that it's bad for good people but not for both of them (signifying Rana Maayan's evil persona). The scene once again shifts to the laboratory of ISRO where the chief scientist has witnessed the crash of the comet at the same placed that Rana Maayan and Bhadra witnessed earlier which is known as Palanggi Malai and says 'Oh My God' after which two more comets crashed at the Antartica and Pacific Ocean of the Earth at accurately 8:30pm. The chief scientist Subramaniam, immediately calls Minister Thangapandi to inform what he had witnessed. He asked the Minister what to do next and Minister Thangapandi said that he would get to him back as soon as possible. The Minister tells the information to the Siva Acharya and the Siva Acharya predicted that the place where the 3 individuals are going to meet is none other than Palanggi Malai. The Minister without wasting time called the chief scientist Subramaniam to get the exact location of the site of the comet crash and the chief scientist agreed to do it immediately.
He orders his team of elite scientists to zoom in on the location of the comet crash site in Palanggi Malai. While they're zooming they all failed to locate the exact location as their technology system has been corrupted by some unknown forces. The Chief Scientist Subramaniam informed what had happened to Minister Thangapandi who got very disappointed and he told the chief scientist to inform once their technology systems have been restored. Siva Acharya decides to send his disciple Bhakti Saradhan to locate the 3 individual while Minister Thangapandi volunteers to send his personal secretary Shweta together with Bhakti Saradhan to locate the 3 individuals.
Before leaving both of them got blessings from Siva Acharya who reminded them about their duty. After that Siva Acharya and his other disciples sat down into meditation. The scene once again shifts to the palace where the 3 individuals are about to meet and from the sky a man appears with a pigeon on his shoulder and a thirisoolam in his hand. He then transforms the pigeon into a girl who seems to be his disciple and her name is Sugumadhapura (she seems to be a very adorable character).
The man reveals his mission to his disciple Sugumadhapura that's to help the 3 individuals but he also mentions that he cannot enter the place for he was cursed by Satavagheeni Queen Lakshmi Prabhavathi for betraying her when he served her as her commander. He then orders Sugumadhapura to enter the palace and update him frequently with whatever that is going to happen there soon. Sugumadhapura transforms into a pigeon and flies into the palace.
It is revealed that the reincarnation of Princess Simharathna (name of current incarnation Yaksha) is on the way to a business deal to do land registration under her company while not knowing her fate that's waiting for her in the palace. Rana Maayan made sure that her journey was smooth without any obstacles while Kalanthakan follows behind her car.
Yaksha uses her location tracking system (GPS) to determine the exact direction of (Yaksha Guesthouse) and the GPS directs her to take her turn to the left. During that moment, Rana Maayan manages to divert Yaksha to take a turn to the right (that's actually to the haunted palace) by changing the sign board located on the road while also changing her GPS reading (to take a turn to the right) with his evil magical powers through the blessings of Dhumavathi Amman. Yaksha then takes her turn to the right as shown on the sign board and also her phone's GPS system Rana Maayan laughs wickedly as he has successfully diverted her to the palace. He then focuses his attention on Aravind (incarnation of Raja Vikraman from Surya Kundala Dynasty) by appearing as an old tea stall owner while Aravind stops by to drink a cup of tea and ask the tea stall owner for any nearby locations to put a stay only for the night and return to home the next morning.
The old tea stall owner (Rana Maayan) advises Aravind to go back from where he had come from because there are currently no places like that which is safe to put a stay. Aravind insists that it would be not safe for him to go back because of landslides around the area and asked for any hotels for him to stay. The old tea stall owner states that there is only a haunted palace and no hotels to stay in for the night. The old tea stall owner tells Aravind that if he decides to stay in that haunted palace then he would forever be stucked in the palace not able to get out of it and so he once again advises Aravind to drink the cup of tea and return to the place that he have come from.
Aravind laughed on hearing all of these and further inquires about the location of the haunted palace. The old tea stall owner told him the location of the haunted palace which is located 5 kilometers from the tea stall at the top of a hill.
After drinking the tea, Aravind decides to leave the place to go to the haunted palace, once again the old tea stall owner asked him why would he want to go to the haunted palace so badly to which Aravind replied by saying: 'I've always wanted to see ghosts in my life time but haven't seen one yet, and since you're advising me not to go there by saying that the palace is haunted by ghosts and evil spirits, these statements of yours is really increasing my curiosity to investigate the palace and come across with those ghost.' After saying this he left in search for the haunted palace. Rana Maayan laughs wickedly once again after Aravind left and disappeared. He made sure Aravind walked to the palace without his bike by causing his bike to break down using his evil powers.
Rana Maayan called Bhadra and hands him with a sachet of green powder and ordered him to give the green powder to the 3 visitors who are about to come to the palace. Bhadra asked Rana Maayan if the green powder have got anything to do with children's and Rana Maayan confirms the same by telling him the purpose of the green powder whereby he wants Bhadra to feed the visitors with these green powder (by mixing it in any food or drink) so to create a child who will change his fate (to make him even more powerful) and warns Bhadra not to make a mistake as a slight mistake will change their fates.
Bhadra obediently listens to Rana Maayan. Later Rana Maayan orders Bhadra to send his wife to her fathers house the next morning so that she would not be an obstacle to both of their plans which Bhadra agrees to.
Rana Maayan further states that tomorrow he is going to offer one of the visitors as a sacrifice. He told Bhadra that he is going to sacrifice the heroine and make sure that the hero and the female villain be together so that both of them will give birth to a child that will give him the power to control the all powerful Kalanthakan. Yaksha arrived first at the palace and comes to know that this is not her guesthouse and wonders why did her GPS provided the wrong address when usually it won't do so. She decides to leave the place when Aravind appears from the woods and she asked him whether he knows the exact location to Yaksha Guesthouse and he says that for 2 days there will be no way out because of the heavy landslide that have covered the road pathway to travel. He frightened her by saying that this palace is haunted and also tells her that there's no other choices other than to take shelter in the palace temporarily. Both of them decide to enter into the palace. Bhadra notices both of them and informs to Rana Maayan that only 2 people have arrived.
Rana Maayan orders him to check once again and confirm. Bhadra leaves the place immediately to check. Meanwhile, in a hidden chamber in the palace a treasure box opens and a scroll with the portrait of Lakshmi Prabhavathi appears at the back of the 2 visitors and this incident is only witnessed by Bhadra who watches it silently while stunned by himself.
When both of them asked if there's a room to stay in for the night Bhadra nods yes and points to his left. The Queen Lakshmi Prabhavathi in the portrait walks down from the portrait and enters into the palace while changing the palace to its former original glory.
It's then revealed to be a vision of the appearance of the incarnation of Queen Lakshmi Prabhavathi who asked Bhadra for a place to reside in for the night in the palace. Later on her name is revealed to be Darshini. Bhadra looks at her in a shocked expression because she looks extremely similar with the Queen that appeared in his vision.
Bhadra agrees to let her stay in the palace. She then revealed to him that the bus she was traveling had to turn back because of the landslide in that area (which is actually caused by the comet crashing into the place near the palace.
The scene shifts to the pregnant women's funeral and she is revealed to be the elder sister of Darshini. The family members tried calling to Darshini's phone once again and the bus conductor in a bus stop answer the call telling them that Darshini have left the bus leaving her mobile phone at the bus stop and have walked all the way alone going near Palanggi Malai by herself. Her worried family members decided to go in search of her while in the meantime the evil doll in the box changes the portrait of the small girls father's deceased wife with that of Darshini hinting at the next decision the family is about to take (marrying Darshini with the small girl's father). Bhadra meets Rana Maayan and informs him that the 3 visitors have arrived and he particularly tells about his vision to Rana Maayan and the latter confirms by saying that the 3 visitors are no ordinary individuals and once again he orders Bhadra to complete the orders that he have mentioned earlier. Bhadra says that both of the girls looks very beautiful and he asks Rana Maayan to reconsider his act of sacrificing one of them to which Rana Maayan affirms Bhadra to do his duty.
A restless Bhadra still confused ask his guru whom will he offer as a sacrifice among the 2 girls and Rana Maayan said that he himself doesn't know and would come to know on the day of sacrifice by the divine sight of Dhumavathi Amman. Bhadra then leaves to fulfill his duties. Yaksha's mother Mandakini arrives home late and reminds her elder son Subhash that he has a sister and his sister is currently at Palanggi Malai where the comet has crashed into that location but he disregards this by saying that Yaksha is a big girl and the fighter type capable of taking care of herself. He told his mother not to worry about her safety. During this heated moment, Subhash wife comes in and puts more oil into the fire until irritating her mother in law.
Mandakini later tells her daughter in law and son to go to bed while she handles the situation by herself. Mandakini calls the security manager at Yaksha Guesthouse to inquire whether her daughter Yaksha have arrived but the manager says that everyone in the guesthouse is still waiting for her arrival. This further enrages Mandakini who started to scold him for his careless behavior. She immediately tells the manager (Charles) to bring some of his people to go in search of Yaksha and he agrees to do it immediately. Mandakini notices her daughter in law who was eavesdropping on to her conversation immediately close the door and Mandakini sighs fed up of her daughter in law's behavior. Bhadra mixes the green powder into the sambar (dhal curry) while the 3 visitors introduce themselves to one another. After mixing the green powder into the sambar, he serves the sambar to the 3 visitors together but out of the 3 visitors Yaksha refuses to take the sambar adamantly saying that she doesn't like to eat sambar while the other 2 (Aravind and Darshini) enjoys the meal served to them without realizing the contents in the sambar.
After eating the 3 of them started a conversation and each of them admitted that they have a strong feelings that they have met with one another and know one another for a very long time and also the palace seems to be an extremely familiar place. They decide to play a game whereby they'll act a scene from a movie and the other person must guest the name of the movie. While playing it's revealed that Yaksha is getting quite jealous with Aravind and Darshini both of whom are getting along very well and decides to go to sleep. Meanwhile, Rana Maayan appeared silently at the window and asked Bhadra (whom noticed him and approach his guru without anyone noticing) whether he had completed the given duty and Bhadra said that Aravind and Darshini already took the sambar (containing the green powder) but Yaksha adamantly denied to take her dinner. An enraged Rana Maayan told Bhadra to somehow feed her and tells Bhadra not to underestimate Yaksha as she represents the reincarnation of Icchapurani Dynasty's Queen Simharathna who have brought 27 different kingdoms under her rule. Later Bhadra manages to complete the given task by mixing it in water (and also changes the color of the water with his limited magical powers) and served Yaksha the water who was having hiccups. Finally she drinks the water to the delight of Rana Maayan and to the relieve of Bhadra (who was extremely worried that he would fail his duty and earn the wrath of his guru).
Mandakini's second son arrives back home after partying hard in club she tells him about his younger sister and scolded him for not being caring about his own sister's safety. He tells her not to worry and told her to try her phone number to which his mother Mandakini says that she's trying but to no avail. He further tells his mother to have a good rest and not to worry about her safety and they'll begin the search next morning but his words doesn't comfort his mother.
On seeing his worried mother he suggested her to call the IG (Inspector General S.Ramachandran) to help her out. Mandakini gives a call to the IG who is her friend and informs him about everything that had happened and the IG was surprised with Yaksha's bravery when in comparison with Mandakini her mother. The IG suggested Mandakini to take her BP medicine and have a good rest while assuring Mandakini that the search for Yaksha would be his responsibility. Mandakini mentioned why she was worried of Yaksha and that's because according to her Jathagam something really bad will happen to her when she's 22 years old. Mandakini's daughter in law who once again was eavesdropping onto the conversation silently wishes and hopes that Yaksha dies. The scene once again shifts to the palace revealing the appearance of Kalanthakan who silently visited Darshini while reminding himself of the 2000 years of vengeance he has on her mainly (and possibly on Aravind and Yaksha) for what she had done to him. A frightened Darshini woke up to discover that no one was there and once she returns to her sleep, Kalanthakan who was silently watching her left the room and the palace.
Bhadra's alarm rings sharp at 5:05 am and he reminded himself that he had to send his wife to her fathers house. At first his wife was reluctant to leave but later after he manages to give an appropriate answer (child related matters between Bhadra and his wife - which is a definite lie) she decided to go to her fathers house. She puts the leftover rice and sambar for the dogs to eat and she left the house together with her husband who will drop her not before witnessing a pigeon (possibly Sugumadhapura) eating the food and later the pigeon flies to their direction. Rana Maayan who have begin the sacrificial prayers calls Darshini, Yaksha and Aravind using his evil powers (the three of them who already have fallen into his hypnotic powers) obediently follow his order into the chamber where he's waiting for the three of them. Bhadra's wife, Paounu noticed the pigeon that ate the food she had given in the morning transformed into a girl (Sugumadhapura) crying in pain from the poison that she had eaten earlier.
She was later cured by Siddhar Jyothirlingam who cured her using some of the herbs nearby. He further ordered her to be careful and not to eat anything given at the palace. On observing this miraculous incident she (Paounu) senses that something wrong is happening at the palace to the three of them namely (Arvind, Darshini and Yaksha), she took the same herbs used by the siddha to Jyothirlingam earlier and rushed back to the palace to stop the three individuals. After an initial struggle she managed to stop the three of them while feeding them with the herbs bringing them back safely to the palace's room.
Rana Maayan who sensed something fishy sent his power to bring back the three individuals but it failed and so he sent Dhumavathi Devi's power for the second time which succeeded in killing Paounu who was protecting the three of them from outside the locked door of the room. Bhadra who noticed that his wife wasn't following him all the time suspected that she had returned to the palace rushed back to stop her alas when he arrived he realised that he was to late to save his wife from her own death. He cried out loud but was quickly brainwashed by an angry Rana Maayan who jinxed him to clear off her dead body. He further ordered Bhadra to bring anything from the two girls and not to commit any mistakes in it. Bhadra took a bangle from Darshini and an earring from Yaksha and told Rana Maayan about it. Meanwhile, Sugumadhapura who was at that place at the moment noticed what Bhadra did and quickly informed Siddhar Jyothirlingam about the incident. He then ordered Sugumadhapura to exchange the other bangle of Darshini on Yaksha's hand and the earring of Yaksha on Darshini's ear which she (Sugumadhapura) successfully managed doing it.
This causes a confusion for Rana Maayan later on as he perceived in such a way that Darshini is Icchapurani Queen and Yaksha is Satavagheeni Queen. Bhadra who was about to dispose his wife's body was confronted by Yaksha, Darshini and Aravind. Aravind proceeds to go and seek the help of the police while he told both the girls to guard the body of Paounu and also Bhadra. Rana Maayan intercepts Aravind and beats him up unconscious and puts an evil spell to protect Aravind's body from any attempt of recovery by any other person.
Bhakti and Shwetha managed to reach Palanggi Malai but they didn't get the permission to enter the forest from the police inspector whom refused to allow anyone including both of them from entering the Palanggi Malai region. Somehow Bhakti and Shweta sneak into the forest without the police observing them. Their arrival into the forest is being silently watched by Kalanthakan who then proceeds to give about various obstacles to the duo. Kalanthakan successfully separated both of them from one another and in that process Bhakti comes across with an unconscious Aravind and Shweta comes across with Darshini's brother who is also searching for her in the forest. Bhakti's attempt on saving Aravind fails as he was chased away by the evil spirits under the control of Rana Maayan whom proceeds to take Aravind's body back to the palace. Meanwhile Shweta and Darshini's brother were caught by the tribal people living in the forest but Darshini's brother managed to escape from them when he showed his sister's photo to the tribal people who prayed to her and reveals in their language (only to the audience) that she is their Queen and they represent the former inhabitants of Satavagheeni Kingdoms. Later on Bhakti fights these tribal people and rescues Shweta from them.
Both of them decided to go back and inform what had happened to the Shiva Achariyar and also the Minister. Jothirlingam who was watching all that's happening decided to take his action by entering into the body of Bhadra's wife and preventing anything bad from happening to the 3 individuals. He successfully entered into the body of Paounu bringing life to the body surprising and shocking Bhadra, Yaksha and Darshini. He managed to convince all the three of them that Paounu was unconscious all the while. A big battle between Jothirlingam and Rana Maayan ensued and the battle ended with Jothirlingam coming out victorious while sealing Rana Maayan in a strong grip of stones and rocks in a cave (Before being sealed, Rana Maayan comes to know the exact person he's supposed to sacrifice from the grace of Dhumavathi Amman - Whom told him to sacrifice Darshini and use Yaksha to fulfill his purpose but his plans are halted by the timely intervention of Jothirlingam. Jyothirlingam also manages to send back Aravind and Yaksha away from the palace back to Chennai while Darshini's brother who escaped from the tribal people came and took her back to Chennai. Jothirlingam writes a secret inscription on Sugumadhapura's feather and told her to follow one of the three individuals and help them out from any problems.
When Sugumadhapura asked what's written on the feather, Jothirlingam informed her that Rana Maayan's vimorchanam is written on it. Rana Maayan who overheard it orders Bhadra to go in search of the pigeon (Sugumadhapura). Bhadra comes to know from Jothirlingam's disciples that Sugumadhapura have gone in search of the 3 individuals but he isn't sure of her exact location. Meanwhile, Sugumadhapura followed Darshini back to her home and came to know that there's already an evil power in the form of a doll causing a lot of havoc in Darshini's house. She tells her guru Jyothirlingam about this and he blesses her and she takes the form of a girl and successfully entered the house of Darshini to thwart away the evil doll from ever succeeding. She manages to make Darshini to believe that the Evil Doll is the cause of all problems in her house and also the death of her sister. The scene shifts to Kalanthakan's mother Alangariamma disciple who manages to enter Yaksha's Household and gained a good name from her mother Mandakini and told her not to worry about her daughter's gandam (obstacles) and he has a solution for that.
He told her to meet with Alangariamma and after meeting her she agreed to buy the palace told by Alangariamma as she was made to believe that the palace is the safest place for Yaksha to live (But the truth is that the palace is the same place where Kalanthakan's Pretatma resides in). Alangariamma using her powers through the blessings of Dhandini managed to make Aravind and Yaksha to meet together while both of them are on the road waiting for the traffic light to turn green and after that she tried to stop Aravind from meeting Darshini but she failed with the timely intervention of Jyothirlingam, whom stopped her powers of foreseeing with the use of water elements.
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He later blessed both Aravind and Darshini through his divine sight and said that he will always be there to protect both of them from any harm. Cast Main. Ajay as Suryakundala Raja Vikraman and Aravind. Shweta as Satavagheeni Rani Lakshmi Prabhavati and Dharshini. Akanksha Gandhi as Icchapurani Rani Simharathna and Yakshini(Yaksha). as Rana Maayan (Maya, Antagonist).
Shyam Supporting. Sajin. Nithin. as Bhadra. Srividya Shankar. Lenin Anpan. T.
Latha. Ammu Ramachandran.
' Gayathri. References.
Duraisingam is undercover as an NCC officer in a Thoothukudi school. He must tackle Bhai and Thangaraj, two criminals who rule the area and who are working in cahoots with an international drug lord. Sun TV is the dominant Tamil TV Channel that is entertaining the Tamil audience all over the world for years.
The channel which was established by Kalanidhi Maran in 1992 provided Tamil content to the Tamil audience for over 3 decades. It holds the record for being on the top of the TRP charts for many years with its dramatically creative, entertaining, and ever-changing content. The channel is available as Sun TV Live overseas in many countries through YuppTV. Sun TV is the home for some of the most popular longest running serials in Tamil like Kasthuri, Vaani Rani, Valli, Thirumatha Selvam, Mundhanai Mudichu, etc. Chithi, Marmadesam, Metti Oli, Kolangal, Nadhaswaram, Deivamagal are among the popular creations of Sun TV and have been loved by the Tamil audience of two generations. Currently, high rated shows like Nandini, Naayagi, Azhagu, Kuladeivam, Vani Rani etc.
Are running on the channel. The channel features not just TV serials and movies but it also caters to the elderly population providing news twice a day, and Spiritual programs in the morning. It also airs a comedy show called comedy junction which is pretty popular among all kinds of Tamil audience living around the world. Sun TV and many other popular Tamil TV Channels Live can be watched from anywhere in the world through YuppTV App on Smart Televisions, Smartphones, Tablets and on streaming players like ROKU. Sun TV Live can also be streamed on YuppTV Website from Laptops/ Computers or Mobile Web Browsers.
Cover Photo of Maya Genre Written by Directed by Starring Venkat Country of origin India Original language(s) No. Of seasons 1 No. Of episodes 100+ Production Production location(s) Camera setup Running time approx. 20-22 minutes per episode Production company(s) Release Original network Original release 22 October 2012 ( 2012-10-22) – 2013 ( 2013) This article contains. Without proper, you may see, misplaced vowels or missing conjuncts instead of Tamil script. Maya (: மாயா) is a that aired Monday through Friday on from 22 October 2012 to 2013 at 9:30PM.
The show starred, and Venkat among others. It was producer by, writer by and director. – Maya is an hour-long US adventure television series that aired on NBC, Saturdays from 7,30 p.
From September 16,1967, until February 10,1968. The series is a follow-up to the 1966 film of the same name, set in the Indian jungle, the series centered on an American boy searching for his missing father, a big game hunter. The series starred teenage Jay North as Terry Bowen, and Indian actor Sajid Khan as Raji, Rajis elephant, Maya, gave the series its name. Maya was Terry and Rajis source of transportation, as well as providing help when flight or rescue was needed, the series ended after 18 episodes. It featured guest appearances by several Indian actors, such as Iftekhar, Prem Nath, on August 19,2014, Warner Bros.
Released the complete series on DVD in Region 1 for the very first time via their Warner Archive Collection. Internet Movie Database entry Maya at TV. – Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning action, which is derived from I do, the two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia, Thalia was the Muse of comedy, while Melpomene was the Muse of tragedy. Considered as a genre of poetry in general, the mode has been contrasted with the epic. The use of drama in a narrow sense to designate a specific type of play dates from the modern era.
Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example and it is this narrower sense that the film and television industries, along with film studies, adopted to describe drama as a genre within their respective media. Radio drama has been used in both senses—originally transmitted in a performance, it has also been used to describe the more high-brow. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production, the structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet by Shakespeare and the classical Athenian tragedy Oedipus Rex by Sophocles are among the masterpieces of the art of drama, a modern example is Long Days Journey into Night by Eugene O’Neill. Closet drama describes a form that is intended to be read, in improvisation, the drama does not pre-exist the moment of performance, performers devise a dramatic script spontaneously before an audience. Western drama originates in classical Greece, the theatrical culture of the city-state of Athens produced three genres of drama, tragedy, comedy, and the satyr play.
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Their origins remain obscure, though by the 5th century BCE they were institutionalised in competitions held as part of celebrating the god Dionysus. The competition for tragedies may have begun as early as 534 BCE, tragic dramatists were required to present a tetralogy of plays, which usually consisted of three tragedies and one satyr play. Comedy was officially recognized with a prize in the competition from 487 to 486 BCE, five comic dramatists competed at the City Dionysia, each offering a single comedy. Ancient Greek comedy is traditionally divided between old comedy, middle comedy and new comedy, following the expansion of the Roman Republic into several Greek territories between 270–240 BCE, Rome encountered Greek drama. While Greek drama continued to be performed throughout the Roman period, from the beginning of the empire, however, interest in full-length drama declined in favour of a broader variety of theatrical entertainments. The first important works of Roman literature were the tragedies and comedies that Livius Andronicus wrote from 240 BCE, five years later, Gnaeus Naevius also began to write drama. No plays from either writer have survived, by the beginning of the 2nd century BCE, drama was firmly established in Rome and a guild of writers had been formed 3.
– Tamil is a Dravidian language predominantly spoken by the Tamil people of India and Sri Lanka, and also by the Tamil diaspora, Sri Lankan Moors, Burghers, Douglas, and Chindians. Tamil is a language of two countries, Singapore and Sri Lanka.
It has official status in the Indian state of Tamil Nadu and it is also used as one of the languages of education in Malaysia, along with English, Malay and Mandarin. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana and it is one of the 22 scheduled languages of India. Tamil is one of the classical languages in the world. Tamil-Brahmi inscriptions from 500 BC have been found on Adichanallur and 2 and it has been described as the only language of contemporary India which is recognizably continuous with a classical past. The variety and quality of classical Tamil literature has led to it being described as one of the classical traditions. A recorded Tamil literature has been documented for over 2000 years, the earliest period of Tamil literature, Sangam literature, is dated from ca.300 BC – AD300. It has the oldest extant literature among other Dravidian languages, the earliest epigraphic records found on rock edicts and hero stones date from around the 3rd century BC.
More than 55% of the inscriptions found by the Archaeological Survey of India are in the Tamil language. Tamil language inscriptions written in Brahmi script have been discovered in Sri Lanka, the two earliest manuscripts from India, acknowledged and registered by the UNESCO Memory of the World register in 1997 and 2005, were written in Tamil. In 1578, Portuguese Christian missionaries published a Tamil prayer book in old Tamil script named Thambiraan Vanakkam, the Tamil Lexicon, published by the University of Madras, was one of the earliest dictionaries published in the Indian languages. According to a 2001 survey, there were 1,863 newspapers published in Tamil, Tamil belongs to the southern branch of the Dravidian languages, a family of around 26 languages native to the Indian subcontinent.
It is also classified as being part of a Tamil language family, the closest major relative of Tamil is Malayalam, the two began diverging around the 9th century CE. According to linguists like Bhadriraju Krishnamurti, Tamil, as a Dravidian language, descends from Proto-Dravidian, linguistic reconstruction suggests that Proto-Dravidian was spoken around the third millennium BC, possibly in the region around the lower Godavari river basin in peninsular India. The material evidence suggests that the speakers of Proto-Dravidian were of the associated with the Neolithic complexes of South India. The next phase in the reconstructed proto-history of Tamil is Proto-South Dravidian, the linguistic evidence suggests that Proto-South Dravidian was spoken around the middle of the second millennium BC, and that proto-Tamil emerged around the 3rd century BC. The earliest epigraphic attestations of Tamil are generally taken to have been shortly thereafter 4.
– Tamil Nadu is one of the 29 states of India. Its capital and largest city is Chennai, Tamil Nadu lies in the southernmost part of the Indian Peninsula and is bordered by the union territory of Puducherry and the South Indian states of Kerala, Karnataka, and Andhra Pradesh. The state shares a border with the nation of Sri Lanka. Tamil Nadu is the eleventh-largest state in India by area and the sixth-most populous, the state was ranked sixth among states in India according to the Human Development Index in 2011, with the second-largest state economy after Maharashtra. Tamil Nadu is the second largest state economy in India with ₹13,842 billion in gross domestic product after Maharashtra.
Tamil Nadu was ranked as one of the top seven developed states in India based on a Multidimensional Development Index in a 2013 report published by the Reserve Bank of India and its official language is Tamil, which is one of the longest-surviving classical languages in the world. Tamil Nadu is home to natural resources.
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In addition, its people have developed and continue classical arts, classical music, historic buildings and religious sites include Hindu temples of Tamil architecture, hill stations, beach resorts, multi-religious pilgrimage sites, and eight UNESCO World Heritage Sites. Archaeological evidence points to this area being one of the longest continuous habitations in the Indian peninsula, the ASI archaeologists have proposed that the script used at that site is very rudimentary Tamil Brahmi. Adichanallur has been announced as a site for further excavation.
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About 60 per cent of the epigraphical inscriptions found by the ASI in India are from Tamil Nadu. A Neolithic stone celt with the Indus script on it was discovered at Sembian-Kandiyur near Mayiladuthurai in Tamil Nadu, according to epigraphist Iravatham Mahadevan, this was the first datable artefact bearing the Indus script to be found in Tamil Nadu. Mahadevan claimed that the find was evidence of the use of the Harappan language, the date of the celt was estimated at between 1500 BCE and 2000 BCE. The early history of the people and rulers of Tamil Nadu is a topic in Tamil literary sources known as Sangam literature, numismatic, archaeological and literary sources corroborate that the Sangam period lasted for about six centuries, from 300 BC to AD300. Three dynasties, namely the Chera, Chola and Pandya, ruled the area of present-day Tamil Nadu, the Chera ruled the whole of present-day Kerala and parts of western Tamil Nadu comprising Coimbatore, Dharmapuri, Karur, Salem and Erode districts from the capital of Vanchi Muthur. The Chola dynasty ruled the northern and central parts of Tamil Nadu from their capital, Uraiyur, All three dynasties had extensive trade relationships with Rome, Greece, Egypt, Ceylon, Phoenicia, Arabia, Mesopotamia and Persia. Trade flourished in commodities such as spices, ivory, pearls, beads, Chera traded extensively from Muziris on the west coast, Chola from Arikamedu and Puhar and Pandya through Korkai port.
A Greco-Roman trade and travel document, the Periplus of the Erythraean Sea gives a description of the Tamil country, besides these three dynasties, the Sangam era Tamilakam was also divided into various provinces named nadu, meaning country 5. – The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and it is often contrasted with single-camera setup, which uses one camera. In this way, multiple shots are obtained in a single take without having to start and this is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent film editing or video editing the footage. It is also a necessity for regular, high-output shows like daily soap operas. It also reduces the complexity of tracking continuity issues that crop up when the scene is reshot from the different angles and it is an essential part of live television. These can be hidden from just one camera but can be more complicated to set up.
Another drawback is in film usage—a four-camera setup will use up to four times as much film per take, while shooting, the director and assistant director create a line cut by instructing the technical director to switch between the feed from the individual cameras. In the case of sitcoms with studio audiences, this cut is typically displayed to them on studio monitors. The line cut might be refined later in editing, as often the output from all cameras is recorded, both separately and as a combined reference display called the q split. The camera currently being recorded to the cut is indicated by a tally light controlled by a camera control unit on the camera as a reference both for the actors and the camera operators. When sound came into the picture multiple cameras were used to film sets at a single time.
Early sound was recorded onto wax discs that could not be edited, the BBC routinely used multiple cameras for their live television shows from 1936 onward. Desilus innovation was to use 35mm film instead of 16mm and to film with a multiple-camera setup before a studio audience. In the late 1970s, Garry Marshall was credited with adding the fourth camera to the multi-camera set-up for his series Mork & Mindy, soon after, many productions followed suit and now having four cameras is the norm for multi-camera situation comedies. The multiple-camera method gives the director less control over each shot but is faster, in television, multiple-camera is commonly used for sports programs, news programs, soap operas, talk shows, game shows, and some sitcoms. Before the pre-filmed continuing series became the dominant dramatic form on American television, multiple cameras can take different shots of a live situation as the action unfolds chronologically and is suitable for shows which require a live audience. For this reason, multiple camera productions can be filmed or taped much faster than single camera, multiple-camera sitcoms were more simplified but have been compared to theatre work due to its similar set-up and use of theatre-experienced actors and crew members.
The majority of British sitcoms and dramas from the 1950s to the early 1990s were made using four cameras, unlike the United States, the development of completed filmed programming, using the single camera method, was limited for several decades 6. – Jaya TV is a partisan Tamil language satellite television channel based in Chennai, India. Jaya TV is also broadcast to the expatriate Tamil community via various media partnerships, hemant Sahai of HSA had Jaya TV as his first client. In Malaysia it broadcasts through Astro on Channel 221 and HyppTV on Channel 306, Jaya Plus is also on DISH Network Channel 594 and JAYA Max on DISH Network Channel 595. Jaya Max is available in Malaysia on HyppTV on channel 190, Jaya TV is available on Tharisanam TV for Australia and New Zealand viewers 7. – Certain minority languages such as Saurashtra, Badaga, Irula, and Paniya language are also written in the Tamil script. The Tamil script has 12 vowels,18 consonants and one special character, however, it is listed at the end of the vowel set.
The script is syllabic, not alphabetic and these combinant letters are formed by adding a vowel marker to the consonant. Some vowels require the basic shape of the consonant to be altered in a way that is specific to that vowel.
Others are written by adding a suffix to the consonant, yet others a prefix. In every case the vowel marker is different from the character for the vowel. The Tamil script is written left to right.
The Tamil script, like the other Brahmic scripts, is thought to have evolved from the original Brahmi script, the earliest inscriptions which are accepted examples of Tamil writing date to a time just after the Ashokan period. The script used by these inscriptions is known as the Tamil-Brahmi or Tamili script. For example, early Tamil-Brahmi, unlike Ashokan Brahmi, had a system to distinguish pure consonants and consonants with an inherent vowel. Inscriptions from the second century use a form of Tamil-Brahmi, which is substantially similar to the writing system described in the Tolkāppiyam. Most notably, they use the puḷḷi to suppress the inherent vowel, the Tamil letters thereafter evolved towards a more rounded form, and by the fifth or sixth century had reached a form called the early vaṭṭeḻuttu.
The modern Tamil script does not, however, descend from this script, parallel to Pallava script a new script again emerged in Chola territory resembling the same glyph development like Pallava script, although it didnt evolve from that. By the 8th century, the new scripts supplanted Vaṭṭeḻuttu in the Chola resp, Pallava kingdoms which lay in the north portion of the Tamil-speaking region. With the fall of Pallava kingdom, the Chola dynasty pushed the Chola-Pallava script as the de facto script, over the next few centuries, the Chola-Pallava script evolved into the modern Tamil script. The Grantha and its parent script influenced the Tamil script notably, the use of palm leaves as the primary medium for writing led to changes in the script.
The scribe had to be not to pierce the leaves with the stylus while writing, because a leaf with a hole was more likely to tear. As a result, the use of the puḷḷi to distinguish pure consonants became rare, the forms of some of the letters were simplified in the nineteenth century to make the script easier to typeset 8. – Mojibake, from the Japanese 文字 character + 化け transform, is the garbled text that is the result of text being decoded using an unintended character encoding. The result is a replacement of symbols with completely unrelated ones. This display may include the replacement character in places where the binary representation is considered invalid.
A replacement can also involve multiple consecutive symbols, as viewed in one encoding and this is either because of differing constant length encoding, or the use of variable length encodings. Failed rendering of glyphs due to either missing fonts or missing glyphs in a font is a different issue that is not to be confused with mojibake, symptoms of this failed rendering include blocks with the codepoint displayed in hexadecimal or using the generic replacement character. Importantly, these replacements are valid and are the result of error handling by the software.
To correctly reproduce the text that was encoded, the correspondence between the encoded data and the notion of its encoding must be preserved. As mojibake is the instance of incompliance between these, it can be achieved by manipulating the data itself, or just relabeling it. Mojibake is often seen with text data that have been tagged with an encoding, it may not even be tagged at all.
A major source of trouble are communication protocols that rely on settings on each computer rather than sending or storing metadata together with the data. Whereas Linux distributions mostly switched to UTF-8 for all uses of text, Microsoft Windows still uses codepages for text files, for some writing systems, an example being Japanese, several encodings have historically been employed, causing users to see mojibake relatively often. If the encoding is not specified, it is up to the software to decide it by other means, depending on type of software, the typical solution is either configuration or charset detection heuristics. Both are prone to mispredict in not-so-uncommon scenarios, the encoding of text files is usually governed by the OS-level setting, which depends on brand of operating system and possibly the users language.
Therefore, the encoding is systematically wrong for files that come from a computer with a different setting. One solution is to use a byte order mark, but for source code and other machine readable text, another is storing the encoding as metadata in the filesystem.
Filesystems that support extended file attributes can store this as user. Charset and this also requires support in software that wants to take advantage of it, but does not disturb other software. While a few encodings are easy to detect, in particular UTF-8, Mojibake also occurs when the encoding is wrongly specified. This often happens between encodings that are similar, for example, the Eudora email client for Windows was known to send emails labelled as ISO-8859-1 that were in reality Windows-1252 9. – Mohan Venkata Raman is an Indian film and television actor and management trainer. He is acclaimed for playing supportive or negative roles in Tamil television serials prominent ones being Marmadesam and Chidambara Rahasiyam directed by Tamil director Naga.
He is the eldest son of lawyer V. Raman and elder brother of P. Raman, Former Advocate-General of Tamil Nadu and P. Raman, Senior Advocate. His daughter Vidyullekha Raman made her debut in Neethane En Ponvasanthamand is very active in Telugu and his son V. Raman, is an advocate. Mohanraman - blog website Mohanraman google site Mohanraman on Facebook.